What Is A Ghost Note On Guitar? Here’s A Simple Way To Know (2023)

Discover the meaning behind "what is a ghost note on guitar". Explore the technique of creating percussive sounds and adding groove to your playing

Quick Answer to “What is a ghost note on guitar”

A ghost note is a percussive sound made on the guitar that is barely audible. It’s created by lightly touching the strings with the fretting hand without actually pressing down hard enough to produce a clear note.

Ghost notes are commonly used in funk, R&B, and other genres where a percussive, rhythmic sound is desired. They can be used to add depth and complexity to a guitar part and can help create a groove that really moves.

To play a ghost note, simply lightly touch the strings with your fretting hand while picking with your other hand. Experiment with different amounts of pressure to find the right balance between producing a clear note and creating a ghost note.

Let’s get into it!

What is a ghost note on guitar? The Technique That Will Completely Change Your Style of Play

It’s that time of year again. The sun’s taking a step back, there’s a chill in the air, and the rustling of russet leaves has become the soundtrack to our shivery days.

Whether we like it or not, summer has passed, and autumn has arrived, and with Halloween just around the corner, now seems the perfect time to delve into the spookiest of all musical techniques… the ghost note.

What Is a Ghost Note on Guitar?

Don’t worry if you’re easily frightened. Despite the haunting name, ghost notes have nothing to do with anything dead. On the contrary, providing a melody with a pulse they’re the very thing that brings a piece of guitar music to life!

They can take a flat-sounding passage and electrify it, Frankenstein’s Monster-style, giving it flavor, swing, substance, and spice. Sounds good, right?

Well, let’s take a look at what these mysterious notes are, how they’re used, and how you can incorporate them into your own playing.

Ghost Notes on Guitar — A Definition

Ghost notes are not unique to guitar music. Much like Count Dracula, they’ve been around for centuries and can be applied to the music of many string instruments, but what the heck are they?

Before we get into the meat of this definition, it’s important to understand two musical terms: pitch and rhythm.

Pitch

Pitch is basically how high or low a single note sounds. Pitches can be stacked into chords, layered into harmonies, and staggered into scales. Two notes with different pitched values will alter each other’s character when combined.

Rhythm

Rhythm refers to the temporal nature of the piece of music, the timed elements…the stuff that makes us want to dance. These aspects of music don’t have a pitch in the traditional sense — they’re just beats.

If you added a rhythmic note to a pitched note, it would not change the character or melodic context of the pitch; it simply adds a punchy backing for the pitch to sing out over.

Ghost Notes

If a musical note is referred to as a ghost note, it means that it has a rhythmic, rather than pitched, value. It’s a percussive technique rather than melodic.

Have you come across a piece of guitar music that requires muted strings yet? Well, that’s exactly what ghost notes are… muted notes to the point where there is no discernible pitch. You’ll also hear them called false notes, dead notes, and silenced notes.

While they’re used in pretty much every genre of music, one style in particular that relies heavily on the rhythmic touch of these pitchless notes is funk. Ghost notes are what give all our favorite funk songs that amazing danceable magic!

What Do Ghost Notes Look Like in Musical Notation and Tablature?

Now that you know that ghost and muted notes are the same things, you’re probably realizing you can already identify them on the stave or in a tab. They’re the little “X” shapes placed on or between the lines.

How To Play Ghost Notes On Guitar

There are a few ways to mute a note on the guitar, but they all follow the same principle, which is to prevent the string from vibrating, thus creating a short, percussive sound. You’ll hear the strike of your pick on the string but no subsequent pitched reverberations.

The easiest way to mute a note on the guitar is to place at least two fingers of your fretting hand lightly over the string so that you’re making contact but not fretting the note. Hit the string with your pick as you normally would, and that’s all there is to it, really.

The reason you should use two fingers is to prevent any natural harmonics from ringing out. Natural harmonics will resound from certain areas of each string without the note being fretted. These areas are called nodes. The addition of a second finger deadens the resonance of these harmonics.

If you’re looking to make some particularly punchy ghost notes, try muting multiple strings and hitting them harder with your pick. The extra oomph will give your notes tons of attitude!

The Jimi Hendrix Muting Method

If you watch a video of Hendrix playing guitar, you’ll notice he almost never uses barre chords. His wrist is never down low beneath the neck of his guitar, but behind it, with his fingers wrapped around the fretboard.

This hand position allowed him to bring his thumb up over the top of the neck and use it to fret or mute the E-string note of any chord, providing the melody with a rhythmic quality not just in between the notes but alongside them.

How To Use Ghost Notes

Ghost notes can be taken to some truly insane places. Some funk and neo-soul players can use them to such effect that you can’t believe they’re not accompanied by a percussionist.

However, as you’re only just familiarizing yourself with the concept, you’ll be happy to know they can also be employed in a simple yet powerful manner.

To start, practice splitting up sequences of one note with ghost notes, changing the pattern from time to time like this:

Next, apply the same thing to chords:

Once you’ve got those muting techniques down, why not try throwing in some raked ghost notes? Raked notes are achieved by dragging the pick across muted notes with the eventual destination of a standard pitched note.

This kind of ghost note technique is typical of flamenco music, but it can be used to give almost any piece some flavor and nuance. Here’s what it looks like:

You can also find great exercises to practice your ghost notes on learnguitarmalta.

It’s Aliiiiiiive — Summing Up Ghost Notes On The Guitar

As is always the way, there are no magic tricks to master ghost notes quickly. It will take time and effort, but listening to artists renowned for their use of ghost notes, such as Tom Morello, Cory Wong, and John Frusciante, will help speed things along significantly.

By filling out the gaps in your music with ghost notes, you’ll feel it becomes a lot more lively and engaging, and once you’ve refined your technique, you can apply them to any stage of your melody — who needs a drummer anyway!

FAQs

How do I know if I’m playing a ghost note?

Ghost notes are barely audible percussive sounds created by lightly touching the strings with the fretting hand without actually pressing down hard enough to produce a clear note.

They can be heard when playing in a group and can be identified by their subtle, percussive quality.

What genres commonly use ghost notes?

Ghost notes are commonly used in funk, R&B, and other genres where a percussive, rhythmic sound is desired. They are used to add depth and complexity to a guitar part and can help create a groove that really moves.

Are ghost notes difficult to play?

Ghost notes can be a bit tricky to master at first, but with practice, they become easier. Start by lightly touching the strings with your fretting hand while picking with your other hand.

Experiment with different amounts of pressure to find the right balance between producing a clear note and creating a ghost note. Over time, you’ll be able to add ghost notes to your playing and take your guitar parts to the next level.

Happy Playing!

Jake
Jake
Passionately invested in the music world for over 20 years, Jake studied music for 14 years at the Royal Conservatory Of Toronto. He has a degree from Champlain College & Bishop’s University in Business & Music. He is the owner of Fly Away Music & Media Studio in Montreal since 2014, with over 500 happy artists recorded, mixed and mastered.

Other articles you may like

Share this article

Facebook
Twitter
LinkedIn
Pinterest

Leave a Reply